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Isaac) abruptly halts his initial aggressive sexual advance, after Tenn (Juan Francisco Villa) starts giggling, which makes him self-conscious. Dawkins’ play seems at least as passionate about depicting two gay men in the 1940s and the different ways they deal with their sexuality, as it is in offering portraits of two celebrated artists at the beginning of their careers.īill (Daniel K. The question of their sexual involvement seems to be of more interest to playwright Philip Dawkins in “The Gentleman Caller,” an Abingdon Theater Company production opening at the Cherry Lane. But as one such scholar, Ralph Voss, said during a panel discussion on the two playwrights: “The question of whether or not they became lovers at that point has always been of far less interest to me than what happened there, which was a case of mutual admiration.” Literary scholars have speculated about the possibility of a sexual aspect of the relationship between Williams and Inge that began that night in St. He made my homecoming an exceptional pleasure.”Ĭould this pleasure have included the carnal? Was Williams just being discreet in his recollection? Maybe, although “Memoirs” is not a discreet book it frequently catalogues his sexual escapades.
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“I mentioned this to Bill and he cordially invited me to his apartment near the river. “It’s always lonely at home now: My friends have all dispersed,” Williams wrote three decades later. Louis suburbs, which Williams was visiting shortly before the out-of-town tryout in Chicago of “The Glass Menagerie,” the play that yanked him from obscurity. Louis newspaper, interviewed Williams at the Williams family home in a St.
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Williams recounted the actual first meetings with Inge differently in his “Memoirs.” In 1944, Inge, then a theater critic and arts writer for a St. William Inge jumps Tennessee Williams within the first few minutes of meeting him, ripping off his clothes to have sex with him, in “The Gentleman Caller,” a new, two-character play by Philip Dawkins, who imagines the first two encounters between these future eminent playwrights as the steamy sexual cat and mouse game of two gay young men.